Remarks: This short article first appeared in "Bunka Okinawa" Vol.3
No.6 dated August 15, 1942, and re-appeared as an appendix in the book
"Chugoku Okinawa Karate Kobudo No Genryu" written by Masahiro Nakamoto
published on April 1, 1985 by Bunbukan.
I don't know when it was changed, but
"karate" is now written with letters as "Empty Hand" instead of "Chinese
Hand". Anyway, I am happy to know that nowadays karate is popular all over
Japan as a unique Okinawan martial arts, and even it has been officially
recognized by Dai Nippon Butokukai (=Great Japan Fighting Arts and Moral
Association) as one of Japanese fighting arts. However, without doubt, I
am sure that the roots of karate is in China. I suppose the prototype
karate might be modified in various ways in my home Okinawa, but I think
it is worth enough as we can see the evolution of karate which was
influenced by the uniqueness of Okinawan culture. Therefore, maybe, it is
not unreasonable to change the letters of karate as "Empty Hand" instead
of "Chinese Hand".
Anyway, this time I would like to tell you my private opinion regarding,
of course, karate as follows.
I
have heard that it is not sure but there is a martial art called "Three
Hand" in India. I don't know the original Indian name. "Three Hand" is the
direct translation of Chinese language from Indian language. I suppose
maybe such a martial art was brought to China from India by Darma during
the Emperor Wu dynasty, and it became the origin of Shaolin Temple.
It is very interesting for me that I saw the performance of martial arts
played by a Filipino youth when I visited Hawaii last year. I was so
impressed and very delighted to find that there is a similarity in
techniques between the Filipino youth's martial arts and our karate.
Regrettably, I lost the notebook in which I wrote down the youth's name
and the name of his fighting arts in alphabets. I suppose it might be kept
somewhere else, so I still have a chance to tell you the names if I find
it.
I think Shaolin kungfu is a newly systematized fusion of previously
existent classical Chinese martial arts and Indian martial arts. This
opinion has not been proved yet. We require more research on this
hypothesis.
I have been practicing karate for a long time, but I have not yet mastered
the core or truth of karate. I feel as if I walk alone on a distant path
in the darkness. The further I go, the more distant the path will become,
but that is why the truth is precious. If we go forward to find the truth
of karate by all our strength of mind and body, we would be rewarded
little by little and day by day. The truth is near but hard to reach.
My friend, Mr. Jingyu told me the maxim as follows: "The ultimate formula
to the truth is no formula. If you wish to master no formula, you have to
master a formula. If you master a formula and no formula at the same time,
you can transcend live and death." I suppose the ultimate formula to the
truth is Tao, the Way. I cannot understand this maxim well, but sometimes
I feel I understand it well. I think we have to master "a formula and no
formula", then we can study karate in depth and get the truth of karate.
This is a miscellaneous essay for which I
have not prepared, so let me talk about another subject.
As to karate styles, I hear there are two types, the southern type and the
northern type. In the aspect of techniques, the southern type specializes
in upper body and hand techniques, so it has soft, gentle and quiet
features. It is defensive in the fighting. On the other hand, the northern
type specializes in lower body and leg techniques, so it has hard and
active features. It is aggressive in the fighting. The former steps
forward to thrust and steps back to block. The latter steps forward to
kick and steps forward again to throw down an opponent. Of course both
types thrust, kick and throw down, but the point of view is different each
other.
Now I would like to tell you about "Heishu" or "Heishu Kata" and "Kaishu"
or "Kaishu Kata" to give some information to those who study karate.
"Heishu" means fundamental Katas. Before entering the way of karate, you
have to develop your body and mind by doing Sanchin exercise of Gojuryu.
I will explain in detail. You stand straight firmly with stable stance of
feet, and hands positioned properly, breathing harmoniously, then you can
feel Sanchin ecstasy. It is a still version of Sanchin.
We
also have active version of Sanchin which has another name "Peppuren".
Usually we call Sanchin for both versions. Tanden (= a point a couple of
inches below the navel), the back of the head and the buttocks are three
focus points on which you have to concentrate your attention during
Sanchin exercise.
Brief instructions are the following. Tuck your chin in. Lift the back of
your head high. Focus on Tanden (= a point a couple of inches below the
navel) to charge with the energy. Your buttocks should be tucked in. These
three focus points are not originally separated from each other, but have
inseparable relationship. In addition to them, there is another focus
point: the middle point between the eyebrows.
I have heard that principles of Zen and other sitting meditations are the
same as Sanchin.
When I see karate-do in Okinawa, I think we tend to pay too little
attention to "Heishu Kata" such as Sanchin. What do you think of this?
Therefore, even if I see your best performance of "Kaishu Kata", I would
not be satisfied with it and I feel something is lacking for perfection,
as you do not have a stable and fundamental base powered by Sanchin.
Hearing my opinion regarding "Heishu Kata" or Sanchin, Mr. Jingyu, my
friend told me an interesting story as follows. "I" in the story is Mr.
Jingyu himself, not me.
"Although my knowledge is limited, but I heard the following about
so-called the South style Chinese paintings namely the paintings of the
South Zong dynasty, and the paintings of the North Zong dynasty.
Strong and vital strokes of paintings are the characteristics of Li Si-Xun
who is believed to be the founder of the North style Chinese paintings. I
feel strongness and toughness as steel when I see his favorite painting
technique called 'Cut by Large and Small Axes'.
On the other hand, pure and gentle strokes of paintings are the
characteristics of Wang Wei, the founder of South style Chinese paintings.
His painting way is called 'the Classic Style of Playing with Threads'.
They say that Mr. Wang Wei is on a vegetarian diet and never eats meat, so
his works reveals auras of tranquility and purity. It is not exaggerate to
praise that Mr. Dong Qi-Chang calls him the King of Paintings.
According to a certain book, the difference of both styles is derived from
the different natural environment of the Yellow River valley in the north
and the Yangtze River valley in the south.
Also according to a certain man who traveled around China for a long time,
the difference of the North paintings and the South ones is derived from
the different character of each natural environment. In short, the South
style of painting is idealism, light, flexible, gentle and quiet. On the
contrary, the North style of painting is strong, solemn, magnificent and
dynamic.
If we apply it to Chinese fighting arts, it is completely coincident with
each other. I think it has some hints."
The writer really agreed with Mr. Jingyu. He continued the story as
follows.

"I think the relation between 'Heishu' and 'Kaishu' in karatedo is similar
to the relation between the square style of writing Chinese letters and
the cursive style of writing Chinese letters in the calligraphy, the Way
of Writing. 'Heishu' is 'the square style', while 'Kaishu' is 'the cursive
style'. The square style of writing is quiet and calm, while the cursive
style of writing is active and dynamic. Therefore, obviously we can see
which one is the fundamentals. It is also clear that we should go forward
step by step from the fundamentals."
Again, I nodded and completely agreed with him. I think all the arts
originated from the same roots and have the same Way.
At the end of this essay, I will give you a phrase which is quoted from
the famous book "Bubishi" or "Wubeizhi" written by Mao Yuan-yi in the late
Ming era, in which he commented on the martial arts by taking examples of
calligraphy and horsemanship.
"If you master how to stroke Chinese letters, then I can teach you all the
techniques of calligraphy. If you master how to take the saddle, then I
can teach you all the techniques of horsemanship."
Sanzinsoo
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